CHARACTER: Midorima Shintarou
CANON: Kuroko no Basket
GOD: Horus
MYTHOLOGY: Egyptian
POWER: Air Manipulation (Air Bender)
Description: Midorima will have the power to manipulate the air similar to an air bender.
Limitations: The more air he manipulates at the same time the harder the strain. He'll be able to manipulate air up to the area of a school bus before exhaustion starts to creep in. The longer the manipulates that amount of air the more quickly exhaustion will set in until he passes out.
FOLLOWERS: 100
SHINKI: Shingo Sawatari![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
abysmalactor
TEMPLE:
Midorima's temple is in the middle of the forest. The forest clears to make room for the newly built temple. The entrance is guarded by a giant falcon statue of Horus on either side of the heavy doors. Above the entrance is a depiction of the eye of Horus. It watches everyone who comes and goes, the moving eye keeping close watch of anyone lingering at the gates before giving the information to the temple's god. The temple spreads out in a mixture of Japanese architecture with Egyptian decor to reflect both the god and it's current titular holder. Five buildings interconnect for ease of access. The first and largest is a tribute to the Egyptian Sky God. Here Egyptian architecture holds center stage. Egyptian Columns hold the roof in place in neat rows leading visitors through a colorful replica of the Temple of Edfu, dedicated to Horus. At the end of the Temple of Horus, a path of stones leads to the next building. This one, along with the remaining buildings are an array of traditional Japanese buildings. Some have a modern flare to them for those more keen to modern conveniences, but all boast colorful gardens that reflect the changing seasons. Small zen gardens also decorate the pathways connecting the buildings. Rooms are available for guests throughout these four buildings, each of which boasts a public bathhouse for anyone's use. At the night, the pathways are lighted by hundreds of lamps which automatically turn on from dusk to dawn.
CANON: Kuroko no Basket
GOD: Horus
MYTHOLOGY: Egyptian
POWER: Air Manipulation (Air Bender)
Description: Midorima will have the power to manipulate the air similar to an air bender.
Limitations: The more air he manipulates at the same time the harder the strain. He'll be able to manipulate air up to the area of a school bus before exhaustion starts to creep in. The longer the manipulates that amount of air the more quickly exhaustion will set in until he passes out.
FOLLOWERS: 100
SHINKI: Shingo Sawatari
abysmalactor TEMPLE:
Midorima's temple is in the middle of the forest. The forest clears to make room for the newly built temple. The entrance is guarded by a giant falcon statue of Horus on either side of the heavy doors. Above the entrance is a depiction of the eye of Horus. It watches everyone who comes and goes, the moving eye keeping close watch of anyone lingering at the gates before giving the information to the temple's god. The temple spreads out in a mixture of Japanese architecture with Egyptian decor to reflect both the god and it's current titular holder. Five buildings interconnect for ease of access. The first and largest is a tribute to the Egyptian Sky God. Here Egyptian architecture holds center stage. Egyptian Columns hold the roof in place in neat rows leading visitors through a colorful replica of the Temple of Edfu, dedicated to Horus. At the end of the Temple of Horus, a path of stones leads to the next building. This one, along with the remaining buildings are an array of traditional Japanese buildings. Some have a modern flare to them for those more keen to modern conveniences, but all boast colorful gardens that reflect the changing seasons. Small zen gardens also decorate the pathways connecting the buildings. Rooms are available for guests throughout these four buildings, each of which boasts a public bathhouse for anyone's use. At the night, the pathways are lighted by hundreds of lamps which automatically turn on from dusk to dawn.
